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Netease Cloud Music Product Analysis： Competition has been going on for a long time, and it is still unknown who will win.

At present, under the fierce competition in the mobile music client market, Netease Cloud Music has increased its competitive chips by arranging videos, musicians, advertisements and live broadcasts. The obvious benefits also affect the experience of some users. At the same time, copyright issues have also led to the reduction of its users. But overall, Netease Cloud Music can still occupy a large share in the market with its strategic positioning of "music+social".

According to the data of iiMedia Research, the mobile music client industry in China continues to develop steadily, with the number of users reaching 533 million in the third quarter of 2018 (see Figure 1).

Figure 1: The scale of music client users in the third quarter of 2018 (data from Ai Media Consulting)

This data, the test report in the first quarter of Ai Media Consulting was 514 million (an increase of 1.78% compared with the fourth quarter of 2017, see Figure 2 for details). Although it has been predicted in the first quarter report of Ai Media Consulting that the user scale of mobile music client in China is gradually saturated and the market structure is stable, the user scale is still slowly expanding.

Figure 2: User scale of mobile music client in China from 2016Q1-2018Q1 (data from Ai Media Consulting)

According to the monitoring report of mobile music client in China in the first half of 2018, 66.7% of the interviewed mobile music client users are willing to pay for products or services in the client in the first half of 2018. With the increase of users’ willingness to pay for copyright, the competition of music platforms has gradually increased from single-point competition such as copyright and content to all-platform and all-field ecological competition.

To sum up, the market scale in China mobile music client industry is slowly expanding, and users’ willingness to pay is increasing. Moreover, the competition in the mobile music client industry in China has gradually shifted from copyright to pan-entertainment eco-competition in all fields.

In the mobile music client industry in China, the current camps have been basically stable. Since the advent of Cool Dog in 2004, Netease Cloud Music was born in 2013, and it quickly occupied the market as a dark horse. The scale of the mobile music client industry in China basically formed a three-legged pattern: Tencent Music (TME, including QQ Music, Cool Me Music and Cool Dog Music), Netease Cloud Music and Ali Music (including Xiami Music and Everyday Music).

As of July 2018, according to Quest Mobie data (see Figure 3 for details), the monthly user scale of online music industry top5APP is occupied by these three camps. Among them, TME harvested the top three.

Figure 3. Monthly user scale of online music industry top5APP (data from QUEST MOBIE)

All the above are the general situation of the whole industry.

So what is the situation of the whole industry for Netease Cloud Music? We can see this from three figures (Figure 3, Figure 4 and Figure 5).

Figure 4 Changes in the number of people who overlap Tencent Music APP and Netease Cloud Music and the exclusive rate (data from QUEST MOBIE)

Figure 5 Comparison of main application indicators between Tencent Music and Netease Cloud Music APP in July 2018 (data from QUEST MOBIE)

Figure 3 We can see the volume gap between Netease Cloud Music and Tencent Music. In Figure 4, we see that from July 2017 to July 2018, the number of people who have Netease Cloud Music and Tencent Music has increased (that is, the number of people who have Netease Cloud Music Halo and TME products has increased). As can be seen from Figure 5, Netease Cloud has a high music retention rate and unloading rate.

Then according to the differences between Netease Cloud Music and Tencent Music in the past, we can draw a conclusion:

The reason why Netease Cloud Music overlaps with QQ music users is that the Copyright Bureau intervened in February this year, which made the copyright exchange between Netease Cloud Music and TME reach at least 99%. The difference of 1% (Tencent’s unique copyright is about 5 million, and 1% of the copyright is about 50,000 songs) leads to a decline in the user experience, which leads to such a high 7-day retention rate of Netease Cloud Music. The unloading rate is also so high.

Another data can also reflect the correctness of the high conclusion from the side (see Figure 6 for details).

Figure 6 (the first quarter of 2018) Nearly 80% of users are accustomed to using multiple digital music apps at the same time (data comes from Bida Consulting)

Figure 6 shows that it is difficult for a single APP to meet all the needs of users.

The reputation of Netease Cloud Music (especially in song list recommendation and UGC) has always been very good, but users actually install multiple softwares, which also proves from the side that the reason why the user scale of Netease Cloud Music is limited is the copyright limitation.

As mentioned earlier, the user volume of Netease Cloud Music is far less than that of TME, but Netease Cloud Music has always been the growth of users with the difference of "music+social" and the support of some die-hard fans.

As mentioned above, it is precisely because of the difference of "music+social interaction" that Netease Cloud Music will not become a niche APP even though its copyright is restricted. It occupies the fourth place in the total number of users, far higher than Xiami Music.

Then, what are the advantages of Netease Cloud Music in the current situation of obvious disadvantages?

As product people, we prefer the following data to prove the existence of advantages, and then analyze the advantages and make iterative updates for future products.

1.3.1 User activity

User activity is one of the standards that can best reflect the quality of a product. It measures the user’s attitude towards the current product.

According to the comparison between QuestMobie’s list of monthly users in online music industry in July 2018 (Figure 7) and the list of monthly users in online music industry in July 2017 (Figure 8), it is obvious that Netease Cloud Music has the fastest growth rate in this year, and it has already threatened a cool music in TME.

It can be seen that the obvious shortcoming of Netease Cloud Music-music copyright issue has not caused a fatal blow to Netease Cloud Music. The current layout of Netease Cloud Music is also successfully bridging the gap, but the gap is still very large.

Figure 7 (the same as Figure 3) The monthly user scale of online music industry in July 2018 top5 APP (data from QUEST MOBIE)

Fig. 8 Monthly users of online music industry in July, 2017 top10 APP (data from QUEST MOBIE)

1.3.2 User stickiness

User stickiness reflects another dimension of the product: loyalty to the product.

As we saw earlier, Netease Cloud Music has a higher 7-day retention rate and a higher uninstall rate than other top five apps. We analyzed it because of the copyright issue of Netease Cloud Music. Then, the user viscosity can let us clearly see how many users are loyal powder.

According to the comparison of the monthly average usage times and activity rates of Tencent Music and Netease Cloud Music APP in July 2018 (see Figure 9 for details), we can clearly see that compared with TME, Netease Cloud Music has no disadvantage in terms of monthly average usage times and activity rates, and even has more advantages in combination.

This represents the current operation mode of Netease Cloud Music (the core is "music+social"). In the case of short-board copyright, the user’s loyalty is still not worse than the other three, and even has an advantage.

Figure 9 Comparison of main application indicators between Tencent Music and Netease Cloud Music APP in July 2018

1.3.3 User coincidence degree

The user coincidence degree we analyzed earlier represents the situation that Netease Cloud Music and other APP functions complement each other.

The higher the degree of overlap, the higher the degree of functional complementarity (see Figure 10 for details), and the higher the possibility of being irreplaceable.

We mainly analyze the number of overlapping users between Netease Cloud Music and TME. The higher the overlap, the greater the possibility of representing Netease. The following figure shows that the overlap between Netease Cloud Music and TME is increasing from July 2017 to August 2018. Although their respective layouts have changed, the advantages and disadvantages of APP are obvious, but at present, from the point of view of coincidence, Netease Cloud Music does not have the conditions to beat TME, but the market will not be eaten by TME.

Figure 10 Changes in the number of people who overlap Tencent Music APP and Netease Cloud Music and the exclusive rate (data from QUEST MOBIE)

And a very interesting thing happened here. Netease Cloud Music not only has an increased overlap with TME, but also has an overlap murder book with Bili Bili and Tik Tok, which is far superior to other music apps. It is secondary, young and trendy (see Figure 11 for details). This shows that Netease Cloud Music has achieved initial results in the layout of video functions.

Fig. 11 The number of people and the exclusive rate of Netease Cloud Music, Billie Billie and Tik Tok (data from QUEST MOBIE).

Advertising delivery

The first is the comment area advertisement.

Comments are a major feature of Netease cloud music, and browsing comments has basically become the habit of Netease cloud music users. Often, some popular music (even minority music with the rise of Netease Cloud) has rich comments. Even sometimes I forget the name of a song and still remember the comments, so putting advertisements in the comments is more in line with the interests of cooperative manufacturers and Netease Cloud Music.

Secondly, the support for new musicians (such as advertisements for new musicians in the interface) has also become one of the incomes of Netease Cloud Music.

This move does not directly charge fees, but because they are all online musicians on their own platforms, the payment caused by their promotion is also one of the incomes. Moreover, it is a win-win situation between the platform and musicians, and musicians will also directly participate in the dividends of advertising and other expenses. It is said that Mu Xiaoya will get nearly one million dividends in 18 years, which will also drive more UGC creation.

Finally, it is the most common open-screen advertisement.

Open-screen advertisers are mainly the promotion of high-end brands and Netease’s self-operated products (such as Netease koala, etc.). This is the most conventional way to collect money for advertising.

value added service

Netease Cloud has three common value-added services:

First, vip charges, the most conventional way of charging. Getting vip can get a higher definition sound quality experience, and can experience the services of non-members, such as advertising-free, personalized skin, etc. The second kind of value-added service is also very routine at present: listening to songs without traffic. The last one is knowledge payment, such as "Chen Li Living Room", which needs to be paid before listening, similar to the payment of common knowledge such as getting it.

Yun music shopping mall

There are three main ways to cloud music mall:

  1. Integral mall, you can exchange points for coupons or vouchers of partners.
  2. Welfare society generally deals in products endowed with musical meaning or related to music. Similar to ordinary e-commerce operations, but some will receive vouchers.
  3. Ordinary e-commerce, selling their own goods or music areas.

But overall, Netease Cloud Music Mall is similar to the periphery of animation. Mainly engaged in music-related or music-endowed goods, the way to make a profit is simply to sell goods to make money.

Ticketing system

In order to solve the problem of scalping tickets, and unable to choose a suitable location or forget to buy tickets, Netease Cloud Music launched a ticketing system. The profit-making method is no different from other ticketing systems.

This not only serves the corresponding user groups in a targeted manner, but also reduces the impact of commercial advertisements on the user experience. Users click on the corresponding performance information and link to the specific page, where they can view the performance time, place, price and seats in detail and purchase tickets.

Netease Cloud Music is an APP that provides music services based on "music+social interaction" and takes users as the center. Relying on professional musicians, friends recommendation and social functions, online music title list, personalized recommendation, radio station, etc., focus on discovery and sharing.

In terms of music, with the song list as the framework, the user’s music needs are met through three sections: the song list established by the user, the daily recommendation recommended by the system and the song list of the system. On the social side, it is achieved through the song comments that Netease Cloud Music is famous for, as well as people and friends nearby. This enhances the sharing and communication properties of music, and pays attention to and encourages users to produce more high-quality UGC content to meet the needs of users’ music socialization, sharing and expression.

Netease Cloud Music is divided into five product structure branches: Personal Center, My Music, Discovering Music, Video and Search. Through the product structure of page analysis, we can see the bird’s eye view of the whole product and know the existence and completion process of each function. See Figure 12 for details.

Figure 12 Netease Cloud Music Product Structure Diagram (Analysis by Page)

Netease Cloud Music is a rising star in mobile Internet music. Netease Cloud Music has reached the fourth position in terms of mobile Internet music in terms of volume and users by means of "music+social interaction".

Figure 13 User Product Experience Path Map

Music is basically a necessity for almost everyone. Compared with all netizens, users of online music are obviously younger, and there is little difference in gender and intercity distribution characteristics (see Figure 14 for details).

According to the online music users’ age and inter-city distribution map in July 2018, users aged under 24, 25-30 years old and 31-35 years old account for 84.3% of the total users. The proportion of men and women is 51.4% and 48.6% respectively. According to TGI, female users are more consistent, which happens to be similar to the proportion of Netease cloud music users (see Figure 15 and Figure 16 for details).

According to Ai Media data, there are more women among Netease cloud music users. In addition, people under the age of 24, 25-30 years old and 31-35 years old account for more than 80% of the total users, reaching 89%. It can be seen that the distribution of user groups of Netease Cloud Music is basically consistent with the data of the whole industry, but the focus is slightly different.

Industry data shows that people under the age of 24 have the highest proportion, while Netease Cloud Music has the highest proportion of 25-30 years old; In terms of gender, Netease Cloud Music has slightly more women than men, while the whole industry data shows that men are slightly more than women, but TGI also shows that female users are more consistent.

Figure 14 The age and intercity distribution map of online music users in July 2018 (data from QUEST MOBIE)

Figure 15 Gender diagram of Netease cloud music users (data comes from iResearch APP index)

Figure 16 Age distribution map of Netease cloud music users (data from Ai Media Consulting)

In addition, according to QuestMobie’s online music user interest preference TOP20 in July 2018 (see Figure 17 for details), it can be seen that online music has a high penetration rate in various industries. Especially social, video and music. ; It can also be seen that music, learning and animation have higher values in the active penetration rate TGI.

Figure 17 TOP20 of online music users’ interest preference in July 2018 (data from QUEST MOBIE)

Comprehensive Netease Cloud Music is similar to the overall trend of the industry, with the age of about 24 to 35 years old, with little gender difference. In the entire online music industry, social, video and music have the largest active penetration rate, while music, learning and animation have the highest active penetration rate. We will get the user portrait of Netease Cloud Music as follows:

  • Student groups:This group has more time, more social activities in the world, watching videos, listening to music, and more interest in school, and their age is basically under 24 and between 25 and 30.
  • Young white-collar workers and Internet practitioners:Generally speaking, people in this group are more eager for new things than other age groups and industries. But relatively speaking, it belongs to a group with greater pressure, piecemeal time, more overtime, and more willingness to open up their own horizons and careers through study. It is a group with pressure, vitality and ambition, and rich feelings.

According to Netease Cloud Music’s recent layout of niche music, video and music originality, another user group of Netease Cloud Music can be deduced:

  • Professional musicians and music creators:This group pursues fashion, freedom, sharing and quality.

According to Maslow’s demand analysis method, the priority of product functional design can be divided into five categories from high to low: usability, ease of use, ease of use, love of use and dissemination. According to this theory, we can get the product demand management priority of Netease Cloud Music, and then deduce the user demand of Netease Cloud Music.

As shown below:

Figure 18 Maslow Demand Analysis Diagram

"Music+Socialization" is basically what all music platforms are doing now, and Netease Cloud Music is a leader in this respect.

Netease Cloud Music’s approach is to make music resonate and communicate. People are emotional animals, especially when immersed in music, it is very easy to blend in or substitute their own experiences, and then they like to express their feelings about songs and share their experiences.

The music comment area has become the first stop for users’ UGC creation, and it also incorporates the social nature. When you can listen to songs, while listening to songs, you can watch stories that are similar or touching to yourself in the comment area, and you can pay more attention to commentators to achieve the purpose of socializing.

Figure 19 Screenshot of Netease Cloud Music Interface (1)

The second stop of UGC creation is the song list created by users themselves.

Everyone has his own taste, but there are always people who are similar to him, and there are always people who have songs that they like but haven’t heard. Therefore, song list recommendation came into being. Users can walk into the song list created by others through the song list name, classification or a piece of music with their own memories and feelings in the song list, discover new music, and even collect the song list.

When users use Netease cloud music, they will also classify their favorite songs. Your friends or through the nearby song list can also see the user’s song list and enjoy it, so as to achieve the purpose of "music+socialization".

Figure 20 Screenshot of Netease Cloud Music Interface (2)

The third stop of UGC creation is the music created by Netease Cloud musicians. This is the layout of Netease Cloud Music in terms of "copyright disadvantage+minority music+individual musicians". Introducing more musicians can not only satisfy the audience (especially the minority music audience), but also make people with musical talents or hobbies and dreams give full play to their own specialties and solve the copyright problems of some songs.

Figure 21 Screenshot of Netease Cloud Music Interface (3)

The social function is divided into four parts, namely, music comment socialization, song list socialization, and the dynamics of people and friends nearby. Among them, the socialization of music criticism and song list has been described in detail, so I won’t repeat it here.

The function of people nearby is a combination of "unfamiliar social interaction+music". Through the dynamics of people nearby, you can see the kinds of music that other users like. Even if you don’t pay direct attention to communication, you can make users enjoy more different songs through the song list or dynamics of people nearby, break the cognition of their original songs and increase the user’s stickiness.

Now, with the addition of video, we can not only see music and song lists through people nearby, but also see videos. Video is one of the key points in the layout of major companies now. The function of people nearby can also enhance users’ new understanding of Netease Cloud Music Halo, that is, "Netease Cloud Music Halo not only makes music, but also makes videos", thus achieving the purpose of diversification of Netease Cloud Music functions.

Friends are dynamic, which is similar to socializing with strangers. You can also see the songs and videos of users’ friends. The biggest difference is that friends tend to "socialize with acquaintances" dynamically, while people nearby socialize with strangers. Therefore, socializing with acquaintances has a unique advantage-it can communicate with each other through music. Even though a large number of users do not reach the point of acquaintance or communication through friends, the dynamics of friends have reached the social role as well.

Figure 22 Screenshot of Netease Cloud Music Interface (4)

Music recommendation is another major feature of Netease Cloud Music, which is mainly manifested in scene recommendation and personalized recommendation based on big data analysis.

Scene recommendation has the following functions in Netease Cloud Music: song list, recommended song list, anchor radio station, radio station classification, classical zone and other functions classified according to mood and environment; And a more distinctive running FM, dedicated to running scenes.

This greatly facilitates users to choose music that is more suitable for their mood according to their mood, environment and other conditions, and increases customer satisfaction, stickiness and loyalty. On the other hand, Netease Cloud Music has personalized recommendation based on scene classification, and users can also classify their own songs according to their own habits after using habits to enhance sociality.

Figure 23 Screenshot of Netease Cloud Music Interface (5)

Personalized recommendation is another function of Netease Cloud Music Word of Mouth Peak. Many users have shared music in social circles before, and commented that "this song really suits me", "Netease Cloud Music really understands me" and "this song is so good that it cries", etc. This is based on the big data such as the type and frequency of songs that users like to listen to, analyzing the recent listening characteristics of users and making recommendations. Of course, big data analysis needs data, and personalized recommendation may not be particularly accurate if new users use it less.

Personalized recommendation is embodied in private FM, daily recommendation, daily song list and so on.

Figure 24 Screenshot of Netease Cloud Music Interface (5)

According to the statistics of ASO100 books, Netease Cloud Music has a high score on the iOS system (see Figure 25 for details). The current score (as of November 2018) and all version scores (as of November 2018) are 4.7 points, indicating that iOS users have a high evaluation of Netease Cloud Music.

Figure 25 Netease Cloud Music iOS score statistics (data from ASO100)

On the other hand, the score of Android system (see Figure 26 for details) is much lower than that of iOS, with the highest score of 4.6 and the lowest score of 3.5 (Google Play data is 0, which is not included in the statistics). This shows that the Android system needs to continue to be optimized to further improve user satisfaction.

Figure 26 Netease Cloud Music Android Score Statistics (data from ASO100)

Through the ASO100 data, the typical users’ positive comments and negative comments are extracted as follows (Figure 27). A typical user refers to a user who appreciates or hates a certain point in favorable and unfavorable comments, and is representative.

Figure 27 screenshot of typical user comments

From the comments, it can be seen that users’ views on copyright requirements are not one-sided. Some have uninstalled the software because of copyright problems, but some have directly ignored this defect and continued to use it, but the copyright problem is still one of the problems that need to be solved. After all, listening to songs is the most basic function of Netease Cloud Music. If this function cannot be met, other functions are not so necessary.

With the more and more perfect function of Netease cloud music and the addition of profit factors, some users began to question the initial intention of Netease cloud music while enjoying better experience services. For example, the addition of video can make "music+picture sense" presented to customers at the same time, but for some customers who just want to enjoy music or recommend videos to influence their use, these have become design failures.

According to user feedback and user ratings, it can be seen that Netease Cloud Music has a large number of supporters. Although the copyright and the new layout affect the experience of some users, users have a high evaluation of Netease Cloud Music on both Android and iOS. However, in order to better maintain a high reputation, Netease Cloud Music should better adjust the strategy between profitability, new function layout and user experience, and maintain the user stickiness of loyal fans, so as to ensure that it is invincible in the industry shock.

No matter which organization’s survey data, we can see that the total number of online music users is increasing, and users’ awareness of paying is enhanced. The online music industry is still a valuable market. However, in this competition, Netease Cloud Music’s defects in copyright make it relegated to TME. However, according to the strategy of "music+socialization", Netease Cloud Music, a rising star market, will not be swallowed up by TME or other competing products in the short term.

Netease Cloud Music keeps making various attempts to get rid of the dilemma. Layout videos, musicians, advertisements, live broadcasts, etc. are all increasing their competitive chips. The benefits are obvious, but the decline of user experience can not be ignored. Nowadays, the online music industry is laying out its own pan-entertainment ecosystem, especially TME, which has formed its own ecological closed loop. Netease Cloud Music still needs to make more attempts to break the blockade.

Regarding the copyright issue, I have analyzed the disadvantages of Netease Cloud Music. However, in the short term, this disadvantage is not only the efforts to obtain copyright, but also the cooperation between their own musicians and Netease Cloud Music to ensure that the copyright of minority music does not go wrong and that they do not show disadvantages in minority music.

Competition in the online music industry has a long history, and it is still unknown who will win in the future.

　

This article was originally published by @ Sima Shizike. Everyone is a product manager. It is forbidden to reprint without permission.

The title map comes from Unsplash and is based on CC0 protocol.

China’s first COVID-19 mRNA vaccine was approved to start clinical trials.

Xinhua News Agency, Beijing, June 25th (Zhuang Yingna, Shao Longfei) The novel coronavirus mRNA vaccine (ARCoV), which was jointly developed by the Institute of Military Medicine of the Academy of Military Sciences and local enterprises, was officially approved by clinical trials in National Medical Products Administration on the 19th. This is the first COVID-19 mRNA vaccine approved for clinical trial in China.

Since the outbreak of the COVID-19 epidemic, the Institute of Military Medicine of the Academy of Military Sciences has deployed emergency scientific research to tackle key problems, and at the same time promoted the research and development of vaccines in COVID-19 with multiple technical routes. COVID-19 mRNA vaccine made in China is another high-tech vaccine variety approved for clinical trial after recombinant COVID-19 vaccine (adenovirus vector) in our hospital.

According to Qin Chengfeng, the project leader and researcher of the institute, mRNA vaccine is a new vaccine form in recent years. Its basic principle is to introduce mRNA expressing antigen target into the body through a specific delivery system, express protein in the body and stimulate the body to produce specific immune response, thus enabling the body to obtain immune protection.

Article 20 broke 2 billion! The stamina is too great, but the ＂controversy＂ is still there.

Special feature of 1905 film network The director’s film did not gradually fade away with the end of the Spring Festival, but rose against the trend and became the biggest dark horse in the whole market after the schedule.


The film climbed and surpassed from the fourth place in the single-day box office. So far, it has topped the single-day box office champion for six consecutive days, and the cumulative comprehensive box office has officially exceeded 2 billion in 16 days.


Why is Article 20 able to make a comeback after the Spring Festival?


The reasons are the audience’s first choice to re-select films after fierce competition, and the re-layout after the squeeze of film arranging space, and the quality content that is firm enough is the key core.


The comedy elements and entertaining comedy style created by the intensive bickering of characters in the film are outstanding. As the first film with the theme of "justifiable defense" in China, the story content discusses the complexity of the topic of "justifiable defense" and the social practical significance caused by it, which makes the film last for more topics.


Article 20 takes the self-defense clause in the criminal law as the clue, and tells the story with the dilemma of emotion and law faced by prosecutor Han Ming in the case. It shows the blunt and abstract legal provisions and judicial practice with vivid and concrete expressions, and successfully builds a bridge of communication between the law and the public, which makes many legal workers deeply touched.



So, in reality, how do the legal person who is the "protagonist" specifically look at Article 20? How will they face the controversy in the three cases in the film? Are there any details in the presentation of legal content that are particularly realistic and can be further improved?


1905 Movie Network specially invited lawyer Zhou Zhaocheng of Beijing Anjian Law Firm, lawyer Wang Yahui of Beijing Lanshang Law Firm, lawyer Wen Yang, senior partner of Shaanxi Xuanmian Law Firm, doctoral student Shang Bowen of Peking University Law School, criminal lawyer Wang Wentian, and prosecutor YC (anonymous) of a district procuratorate of a city in Guangdong Province to gather a number of legal persons to analyze the legal issues in Article 20 from their professional perspectives.



1905 Movie Network: What impressed you after watching the movie Article 20?


Zhou Zhaocheng: My viewing experience is very complicated. I am saddened by the experience of the characters and gratified at the end of the story. What impressed me most was the case of Wang Yongqiang’s assassination of Liu Wenjing, because this case was based on the anti-killing case in Kunshan in 2018, and I was the first lawyer interviewed by the media at that time, so I felt the deepest! More importantly, Article 20 also conveys the voice of the people and appeals to law, reason and emotion.


Wang Yahui: I was deeply impressed by the question-and-answer conversation between Han Ming and his son in the car. What Han Yuchen asked was the public’s doubts about being brave and defending oneself. As a senior prosecutor, Han Ming didn’t know how to answer, and also pointed out that Article 20 didn’t play its due role.


Shang Bowen: What impressed me most was what Han Ming said: "Everyone does it this way". That’s what they do, right? As far as the law is concerned, although China has not implemented the case law system in the Anglo-American legal system, it is conceivable that the pressure brought about by overthrowing the previous judgment logic is unbearable for individuals: as Han Ming told Lu Lingling in the film, more than a dozen cases were judged in this way. Why do you make different judgments? Breaking the "rules", the previous judgments and public opinion are like a mountain, which is pressed on the host prosecutor and the procuratorial system; Draw a gourd ladle, everyone can regard it as nothing happened, and no one will criticize a person who follows the rules.


The most touching plot of the film is the performance of the three children when three cases come together: Juanjuan’s helplessness when her mother jumped to protect herself, Yaya’s remorse when her father was in a car accident, and her son Han Yuchen’s torture of what is "justice". Others can regard it as nothing happened, but Han Ming himself can’t pass. The sense of responsibility for these innocent and kind souls is the driving force for Han Ming to make "I don’t want to do it all".



1905 Movie Network: The film mainly focuses on the definition of self-defense and the crime of story injury, and tells two cases: Wang Yongqiang’s assassination of Liu Wenjing and bus driver Zhang Gui’s birth. What do you think of the whole process of these two cases?


Zhou Zhaocheng: The case of Wang Yongqiang’s assassination of Liu Wenjing and the case of Zhang Gui, a bus driver, are adapted from the real events with milestone significance in the application of the concept of "justifiable defense". By developing these two cases, Article 20 shows us the twists and turns from intentional injury to justifiable defense, and makes more people feel the judicial temperature under the cold law. At the same time, it also reflects many practical obstacles from legislation to application, and it is still very difficult to define whether the defense behavior is justified or not.


Wang Wentian: The process of examination and prosecution of Wang Yongqiang’s case is painful, which tests the patience and courage of the case handlers. In practice, the prosecutor’s idea of examination and prosecution is "realistic". If he doesn’t return to make up the investigation or the prosecutor doesn’t take the initiative to look for evidence, then this case will definitely have a different result. It also confirms the line in the movie, "It’s not just a case, but someone else’s life". Because it involves other people’s lives, the case handlers of procuratorial organs and public security organs (as well as defense lawyers) should take it seriously, think, take the initiative, and be brave, so that criminal suspects can feel fairness and justice.


Wen Yang: I think that Wang Yongqiang’s acquittal without prosecution is a happy ending, but the cost is huge. For example, judicial personnel have been under great pressure from public opinion and handling cases, and Wang Yongqiang’s wife Hao Xiuping also jumped from a building and was seriously injured. This can’t help but make people think: If Hao Xiuping didn’t jump off a building and was forced to sign an agreement in exchange for the result that a husband might not die, would there still be the result that Wang Yongqiang constituted self-defense and eventually acquitted himself? Further thinking, Hao Xiuping had no choice but to think that "my husband can only live when I am dead", and to draw people’s attention back to the examination of Liu Wenjing’s illegal infringement by jumping off a building in an extreme way is also to fight against the logic of "Liu Wenjing is dead, so Liu Wenjing is right" at the expense of his own life.


The film does not show much about the formation of Zhang Guisheng’s guilty verdict, but more shows that Zhang Guisheng was unwilling to die after being convicted, showing helplessness and bitterness. Personally, I think the director may want to show the audience a result with the ending of Zhang Gui and Zhang Guisheng — — Unfair judgment will not only make social order harmonious, but even intensify social contradictions and undermine social harmony and stability; It will also challenge the people’s simple concept of justice, arouse public doubts about legal fairness, and undermine citizens’ reasonable expectations.



1905 Movie Network: There is also an auxiliary line about campus bullying in the movie. What do you think of the legal issues involved?


Shang Bowen: In the case of campus bullying, the protagonist couple, especially Li Maojuan, did not distinguish between "substantive justice" and "procedural justice" at all. What is substantive justice? Ke Zhang’s bullying classmate and Han Yuchen’s "nose for nose" is substantive justice. But is it enough to only save the scene with the heroes of martial arts novels? The paranoid pursuit of substantive justice is likely to lead us to a different path. As Luo Xiang said: "The training of law will constantly remind us of procedural justice, be alert to substantive justice, and pursue justice in the process". There is no monitoring, no evidence, and even reluctance to do the work of bullied classmates and surrounding classmates to testify for Han Yuchen. It is undoubtedly a slap in the face to find Zhang’s "trouble" just because of his son’s guess about the hitter. The film has handled this well, and the ending of entering the detention center is both realistic and educational. From this point of view, apart from neglecting to discipline my son Ke Zhang, I find it difficult to criticize Director Zhang who has always maintained rationality and restraint.


Wang Wentian: The case of school bullying (the concept of campus bullying is the same as that of school bullying, but it is described as "school bullying" in the law) is often difficult to investigate clearly. Nowadays, every school has preventive measures and emergency plans for campus bullying, but in fact, some invisible violence is difficult to find out, especially in economically underdeveloped areas. In addition, according to the relevant provisions of the People’s Republic of China (PRC) Law on the Prevention of Juvenile Delinquency, "State organs, people’s organizations, social organizations, enterprises and institutions, residents’ committees, villagers’ committees, schools, families, etc. all have their own responsibilities and cooperate with each other to jointly prevent juvenile delinquency, promptly eliminate various negative factors that breed juvenile delinquency, and create a good social environment for the healthy development of minors." This article clearly stipulates that there are eight responsible subjects in preventing juvenile delinquency. The film only mentions the responsibility of the school. Even if the school is the leader of the investigation, it has a great responsibility to investigate the violence on campus, but in the process of investigation and handling, it needs the cooperation and assistance of many departments and subjects.


Shang Bowen: The system needs to play a leading role at the front end, whether it’s courageous acts, self-defense or campus bullying cases in the film. What is needed in this matter itself is a surge of adrenaline, which requires people to be in an "impulse" rather than a rational state. What the law can do is to let the general public who are willing to be heroes understand how to be brave and what to do when they are brave, how to protect themselves when they are brave, and add a little condensate of legal rationality to the hero’s "impulse".



1905 Movie Network: What are the realistic details of the restoration and presentation of judicial cases in Article 20?


Wen Yang: When showing the process of handling cases, we strive to be true from the investigation stage to the examination and prosecution, which reflects the rigor and complexity of judicial work, such as evidence collection, cross-examination and debate, sentencing consideration and other steps, which are all in line with reality, especially in the film. The prosecutor Han Ming took a number of judicial cases of similar cases and fell in front of Lu Lingling, but said helplessly, "It’s always like this everywhere. Why can’t this case?" This plot really fits a real situation in handling a case. Although China is not a case law country, due to the principle of "the same case and the same sentence", both judicial staff and lawyers attach great importance to the retrieval of similar cases in the process of handling cases, hoping to avoid the situation of different sentences in the same case by retrieving cases.


Shang Bowen: Some time ago, many people wanted to do a job of "not entering life", but the filming of the procuratorate’s work in the film was realistic at least in this respect. It is not a case, but the life of a living person. In order to detect cases, find key evidence and write judgment documents, the life and work of public security and legal personnel in the legal profession are closely intertwined.



1905 Movie Network: Is there anything in the film that can be further improved?


Wang Yahui: Generally speaking, it is practical, and every scene seems familiar to the legal person. However, the details of the connection of the case-handling process, such as the prosecutor verbally asking the public security to find evidence, are not realistic, and some legal knowledge points are not accurate, which may be limited by the length of time and worried that the professional knowledge is not easy for everyone to understand, so it has been simplified. The film has a very good idea. If we can increase the depth of case analysis on this subject, fully present the differences of views and details of handling cases in the work of prosecutors, and make a series, I think it should have better results.


Wen Yang: Although the film touches the core of some legal issues, it can further explore the collision between different legal viewpoints, such as identifying the boundary of self-defense and judging subjective intention, and show the difficulties and controversial points in judicial practice in more detail. Some scenes or discourses involving legal majors can be appropriately explained by more professional terms and legal theories, so that the audience can better understand the legal logic and judgment basis. There is also the plot that does not reflect the participation of lawyers. Wang Yongqiang has no defender in the film. In reality, even if Wang Yongqiang does not entrust a lawyer, there will be a legal aid lawyer. The participation of lawyers will make the film plot more collision.


Shang Bowen: Han Yuchen’s beating doesn’t have to meet the criminal filing standards before he can file a case. The punishment for public security management of mutual beatings and even group beatings can be directly filed. The verification of the case must highlight the specific scenes for the needs of the plot, which is understandable, but some of them are too far from reality. For example, when the protagonist group visited the village, they did not ask the witness directly, but asked the shop owner directly. In fact, many times in the film, Han Ming did the work of the public security organs.



Wang Yahui: In addition, I think that because the film is a prosecutor’s perspective, there are some negative portrayals of the roles of public security and lawyers. From the perspective of gathering themes, this depiction is superfluous.


Wang Wentian: I have different views on this. I don’t think this film belittles lawyers, because there are no lawyers involved in the three cases in the film, and they are not the key figures to be told in the film, so we can’t generalize them. First of all, there is no defense lawyer in Wang Yongqiang, and the lawyer in the movie stands outside the procuratorate and is the attorney of the victim. His "that sentence" is legal and reasonable. Although the occasion of his speech caused doubts, he did not express his feelings for the victim, nor did he provoke contradictions. His behavior conforms to the lawyer’s professional ethics and norms. Secondly, in Zhang Guisheng’s case, there was no mention of lawyers at all, but the behavior of prosecutors in the stage of examination and prosecution was emphasized. Thirdly, in the case of campus bullying, the lawyer in the film provided an opportunity for both parents to meet from the perspective of an outsider, and did not talk about right and wrong and put forward any legal advice, which did not violate the regulations. Finally, because there are few lines and scenes in the role of lawyer, it cannot be said that the lawyer in the film represents the criminal defense lawyer in reality. The film is not emphasizing the level of occupation at all, but popularizing the law. Why should it be complicated for such a simple purpose?



1905 Movie Network: What do you think is the significance of Article 20 in popularizing law in society? What can legal professionals learn from the role of prosecutor Han Ming?


Zhou Zhaocheng: This film is of great significance in popularizing the law to the society. It makes Article 20 of the Criminal Law go out of the law and into every citizen’s heart, and makes us believe that legislation is powerful and justice is warm. This film has great social significance. In the persistence of the role of prosecutor Han Ming, I see the enthusiasm of legal professionals and the belief in the law. "Let the people feel fair and just in every judicial case" is the expectation of the people and the responsibility of the judiciary.


YC: In Han Ming’s case, I think we should take the facts as the basis and the law as the criterion. Of course, we can’t describe the legal provisions in a mechanical way. More importantly, we need to handle or handle cases with some simple or ordinary values, because the law is not cold.


In the film, Han Ming, the prosecutor, does not stick to the rules, because the law is lagging behind. It is a good thing for judicial practice to follow the case or make changes or innovations in time. Although there may be difficulties or obstacles, I think there are actually many such people to practice or try in China’s legal system today.


Wang Yahui: After watching the film, people have a clear understanding of the behavior of self-defense. The film conveys the spirit of punishing evil and promoting good by law and safeguarding justice to the utmost, so that people know that Article 20 is a solid backing for justice and can boost the integrity of society. Legal professionals should learn from the spirit of Korean prosecutors who dare to take responsibility, and with the courage to take responsibility, they can shoulder the heavy responsibility of safeguarding fairness and justice.



Wen Yang: Aside from the professional problems seen by professionals watching this film, for those of us who are engaged in the legal profession, the shaping of the role of Han Ming is to remind every legal community that when handling every case, we should not forget our initial intentions, always keep a fair heart and have responsibilities and responsibilities. Of course, as a lawyer, I want to speak for the lawyers. Although the voice is small, it is at least vocal: there is no shortage of fair and just prosecutors and judges in this society. At the same time, there is no shortage of lawyers who rush to defend the legitimate rights and interests of the parties.


Shang Bowen: Those who are courageous are heroes, and those who promote justice and protect those who are courageous are even more heroes. Understanding of justice: No matter what kind of legal profession or legal field you are engaged in, justice will always be the ultimate value that legal people pursue forever. In addition to the prosecutors and judges in the film, the original intention of the professional setting of lawyers in reality is a sword to ensure the procedural justice of the parties.


Going against the current and pushing the legal system towards better reform, like Korean prosecutors, is a typical "collective action" problem in which individuals bear collective costs and will encounter great resistance and pressure. However, the right thing is often not easy to do, so we should take it as our responsibility!


Take it apart and see. Haval Dog challenges Toyota RAV4 with its strength.

With the concept of consumption and the constant pursuit of quality of life, today’s young people’s requirements for vehicles are no longer limited to daily commuting. For them, an SUV that can not only meet daily commuting, but also has excellent intelligent driving experience and certain off-road ability is undoubtedly the most tempting choice.

In terms of bringing forth the old and bringing forth the new in diversified products, China automobile enterprises headed by China Haval have taken the lead compared with traditional joint venture brands. Take the popular car model that is very hot recently as an example. This car has positioned its products as a new traveling companion for young people, and innovatively put forward a new category scale of "3/4 scale car", which quickly became a well-deserved traffic star once it came out. Many people may wonder, compared with Toyota RAV4, a traditional joint venture SUV, do they really have the strength and joint venture in terms of product strength and process details?

Recently, in the original disassembly program "Big Bang" by the professional automobile media, we launched a frontal confrontation with Toyota RVA4. Through the complete disassembly of the vehicle, we can intuitively understand the great progress made by the domestic brands that we thought represented in recent years, and gradually gain the leading edge over the joint venture products at the same level. Among the columns, the models participating in the comparison are the Garden Dog version with a guide price of 155,900 yuan and the Toyota CVT two-wheel drive urban version with a guide price of 175,800 yuan.

After the conventional monitoring of body structure, paint thickness and scratch resistance of paint, the two cars entered the stage of disassembly and comparison. In the front part, after the front bumper is removed, a concave high-strength steel collision beam is adopted, while Toyota adopts an aluminum alloy collision beam. However, in terms of structure, Toyota’s anti-collision beam is directly installed on the longitudinal beam of the car body without the design of energy-absorbing box. Once a collision occurs, it is easy to expand, which will affect the protection effect to a certain extent.

As for the manufacturing process of the car door, Toyota’s car door adopts a two-stage welding manufacturing process, which is not only exquisite in terms of aesthetics, but also inferior in structural strength.

It is worth mentioning that the shaking of the window glass reflected by Toyota users has also been solved in this disassembly. Rongfang’s window glass uses a single guide rail elevator, and because there is only one fixed point, the window will inevitably shake to a certain extent. However, a more secure layout of double guide rail window elevator is adopted.

After further disassembly, the gap between the two cars in materials is more intuitive. For example, in the selection of sound insulation cotton in the car, the doors, the roof and the bottom of the car are all made of white fiber cotton, which is more environmentally friendly and reliable. Rongfang not only has no sound insulation cotton in the door, but also the sound insulation cotton used in other parts of the car is low-cost recycled cotton. As we all know, the sound insulation effect of recycled cotton is not as good as that of fiber cotton, but also much higher in the volatilization of harmful gases, which is extremely unfriendly to the members in the car.

In addition, in the comparison of the central control panel in the car, the 8-inch central control multimedia screen is not only 12.3 inches smaller in size. In terms of the type of central control screen, Rongfang is still a relatively old non-full-fit screen, which not only has poor visual effects, but also has poor display and touch effects. The full-fit screen is not only more sensitive to touch feedback, but also more transparent and delicate in color display and resolution.

In the subsequent comparison of body cutting and disassembly, because the two models have been tested for too long and wading, and soaked in water in the compartment, after the frame was cut, the internal structure of the B-pillar of the vehicle honored by the program group was corroded in a large area. In fact, the previous soaking test only involved the bottom of the vehicle, not the B-pillar part of the vehicle. In this regard, the analysis of the program group said that it may be because of the high concentration of water vapor remaining in the car after the water was flooded during the long test, which will lead to the corrosion of some parts of the car body that have not been rusted.

However, in fact, the white body of the vehicle should usually undergo electrophoresis, and even in a highly humid environment, there should be no large-scale corrosion. Obviously, the electrophoresis process of this disassembled Rongfang may have some problems. However, the irreversible corrosion of key structural parts such as B-pillar will affect the structural strength of the car body for a long time, and then affect the safety.

In addition to the episode of car body corrosion, compared with the glory of 2.0L two-wheel drive, the car scene is more diverse. The 2.0T engine can output the maximum power of 211 horsepower, and it is also equipped with the fifth-generation intelligent four-wheel drive system of Borgwarner and the professional off-road configuration of central electronic control differential lock and rear axle electronic control mechanical jaw differential lock.

The materials are kind, the power is strong, and it has excellent off-road configuration while taking into account the comfort of urban SUVs. It is self-evident that the two models are superior and inferior in this comparison, which is obviously more popular with young users who are more pursuing quality and life-oriented.

One-armed ＂Flash＂ delivered 400 pieces of express every day and refused to be a beggar.

　　"Hello, I want to send an express mail. Can you come and pick it up?" Tu Yanfang, a courier brother, has to pick up dozens of such calls every day. When answering the phone, Tu Yanfang grips the mobile phone with his head and shoulders, and his right hand writes down the address on paper quickly. This series of actions is so coherent that people almost ignore that his left half sleeve is empty.

　　When Tu Yanfang was 14 years old, he lost his left arm. For 18 years, this one-armed courier has not collapsed. He works hard, marries and has children. Tu Yanfang delivers more couriers every day than able-bodied employees, and can deliver 400 couriers every day at peak hours. Among the couriers in Shenzhen, this "one-armed courier brother" is famous.　　

　　Text/Guangzhou Daily All-Media Reporter Xiao Huanhuan Photo/Respondents provided

　　When Tu Yanfang was 10 years old, his mother died in a car accident, which was a great blow to him. As the eldest son of the family, he not only has to take care of his younger brother, but also does farm work while going to school. The death of my mother was almost a bolt from the blue for my father. Since then, my father has often used wine to drown his sorrows.

　　Won the disabled swimming champion.

　　It never rains but it pours. At the age of 14, Tu Yanfang and his younger brother were playing hide-and-seek in the yard, accidentally climbed onto the transformer, and were instantly stunned by electricity. After waking up, he saw that his left hand was all burnt and bloody, while his younger brother was crying. His first feeling was that his life was over.

　　"I was only 14 years old that year, and I just finished primary school. I’ve wanted to go to college since I was a child, taking a train, flying and going on a long trip. I was really desperate at the time. " In fact, it’s not just him who suffers. His depressed father finally wakes up from his confusion and takes care of him and cooks for him every day in the ward. "My father is in a state of guilt all day. I feel that he is careless and that he has harmed me." Tu Yanfang said.

　　One morning, Tu Yanfang passed by his father’s room. Through the crack of the door, he saw his father sitting on the bedside crying. In Tu Yanfang’s impression, his father was a strong man. No matter how difficult the days were, he never saw his father cry. Now his father is so sad for himself. He secretly made up his mind, "I must never let my father be sad again. I want to live like a normal person."

　　But it’s not easy to get out of the shadow of a broken arm. In three years, when he was walking at the entrance of the village, a child would cry when he saw Tu Yanfang’s empty left arm. Sometimes he stands at the door of his house and can’t take a step for half an hour for fear that others will talk about him. He doesn’t even dare to wear a short-sleeved shirt. Every time he sees the empty left sleeve, Tu Yanfang’s heart hurts like a knife.

　　Without an arm, it is difficult to keep the balance of the body. At first, Tu Yanfang would fall down if she walked a little faster. When carrying a heavy object, he needs to put it against the corner with his broken arm, and then move it to his shoulder with his other hand. At first, the wound of the residual arm was often ground to blood, and the sacks were stained with blood. After a long time, the wound formed a thick calluses. Years of physical labor have made Tu Yanfang’s right arm particularly strong and powerful, and he can pick up things weighing sixty or seventy pounds with one hand and carry them on his shoulders.

　　After two years of exploration, Tu Yanfang learned to cook, wash dishes, mop the floor, write and even swim with one hand. "I also won the swimming competition for the disabled in the province."

　　Parents die, send express delivery to make a living.

　　In the second day of junior high school, Tu Yanfang dropped out of school because she couldn’t afford the tuition in 300 yuan. He can only go home to help his father with farm work and odd jobs. In March 2010, Tu Yanfang came to Songgang, Shenzhen with a capital of 5,000 yuan. With only junior high school education and no left hand, he interviewed several units and was rejected.

　　He was suggested to be a beggar, but Tu Yanfang refused. So, he and his wife chose to set up a stall. They will set up stalls in five places a day, set up a morning market and sell clothes during the day. After 6 pm, they will go to Songgang to set up a night market and then set up a stall in gongming town. At 10: 30 pm, the couple will move to Fuyong Industrial Zone and work until after zero. When I got home from the night market, it was already a little after midnight. This makes them sleep only three or four hours a day. Although tired, Tu Yanfang and his wife can still earn 40,000 to 50,000 yuan after one year.

　　In July 2014, Tu Yanfang’s father was seriously ill and admitted to the hospital. It was only more than a month before and after, and his father died of illness. From the unexpected death of her mother to the loss of her left arm, and then to the death of her father, too many setbacks made Tu Yanfang physically and mentally exhausted.

　　In September 2014, under the introduction of fellow villagers, Tu Yanfang started as a courier. At first, when he went to apply for a job, the other party saw his empty left arm and immediately poured cold water on him. "How can I be a courier with only one hand? Can I do it?"

　　But Tu Yanfang firmly believed that he could do it. He carried the goods on his right shoulder with one hand and put the courier on the tricycle one by one. Seeing his sweat soaking all over his body and his skin peeling in the scorching sun, the leader of the courier company was moved.

　　Tu Yanfang was very excited when she first started as a courier. She always thought that if she sent more copies a day, she could earn more, but she didn’t get into trouble — — It took nearly 200 yuan to rear-end a van in the street, compensate 300 yuan, and repair his tricycle. But every time he comes home in trouble, his wife never blames him. What warms Tu Yanfang most is that his wife has never looked down on him because she has lost her left arm. Even in the lowest valley, the wife still never leaves.

　　At first, due to physical defects and inexperience in business, Tu Yanfang delivered only half the number of express deliveries per day, but spent three or four hours more than others, for which he was scolded a lot.

　　However, most senders are very considerate. When they see that he is missing an arm, they will not say anything even if the delivery is late, but give him a thumbs up. On a rainy day, the goods were scattered on the road, and the good-hearted passers-by saw it and came to help pick it up, which made him very moved. Over time, Tu Yanfang was well known in the area where he served. "This young man has ambition, and even if I walk a few more steps, I am willing to give him the express mail."

　　But Tu Yanfang doesn’t want to be sympathized. He just wants to earn more money through his own hands to support his family.

　　Express delivery is faster than normal people.

　　Tu Yanfang remembers that once, a customer bought a valuable item of several thousand yuan. When Tu Yanfang delivered it to the customer’s home, the customer said that he was on a business trip in other places and asked him to put it in the grocery store downstairs. But after more than a month, the customer called and said that the things had not been received. Tu Yanfang had to compensate the customer for the loss according to the company’s regulations, which is equivalent to his salary for one month. This incident touched Tu Yanfang very much. Since then, Tu Yanfang has to find out the whereabouts of every express delivery. "The customer is not here, even if it is delivered the next day."

　　Tu Yanfang loves to use his head, and now he has developed a unique set of actions to send and receive express delivery. Sometimes he chewed the transparent glue with his mouth, and sometimes he held down the express bill with his foot. Without one hand, Tu Yanfang was still quick. The young man who sent the letter was surprised to see that his handwriting was still neat with one hand. Tu Yanfang smiled. "I haven’t practiced it specially, but I often write and get used to it."

　　After doing heavy work for a long time, Tu Yanfang has worn many calluses on his hands and his right arm is often sore. Tu Yanfang laughed at this. "Men are the pillars of the family, so it is appropriate to work hard."

　　Every year after the "Double Eleven" is his busiest time. During that time, he sent three or four hundred pieces of express delivery almost every day. If one person was too busy, he asked his wife to help him send them together. At the highest salary, there was 20 thousand yuan. "From 8: 00 am to 12: 00 pm, I didn’t have time to go back to the shower and fell asleep."

　　Tu Yanfang said that it is hard money to send express delivery, that is, who is diligent. When the "Double Eleven" has not yet emerged, even in the New Year, the express delivery volume can’t be doubled on weekdays. But last year’s "Double Eleven", it took him a week just to pack the goods. Due to the gradual proficiency in business, in recent years, Tu Yanfang has maintained the record of "zero bad reviews and zero complaints".

　　Deliver courier during the day and set up a stall at night.

　　When he first lost his left arm, Tu Yanfang was worried that he might be single in this life, but it turned out that his worry was unnecessary.

　　On October 13, 2015, Tu Yanfang’s child was born. Because he had been running outside all day, he didn’t take his wife for a checkup as required, and the child was born prematurely, weighing more than 9 kg at birth, which was a huge child. He has respiratory distress, shadows in his lungs, incomplete development, and a bigger heart than normal children. At that time, Tu Yanfang prepared 30,000 yuan to welcome the birth of the child. I thought it was enough, but later, they spent more than 50,000 yuan.

　　Tu Yanfang said that the person who sent the courier was diligent. Many times he didn’t even have time to eat breakfast and lunch. Sometimes he didn’t remember that he hadn’t eaten the steamed buns he bought in the morning until he was free in the afternoon.

　　Tu Yanfang’s wife takes care of the children at home during the day, and continues to push the children out with a cart at night.

　　Tu Yanfang was a little tired when she was "working overtime" at night because she sent a courier outside during the day. Sometimes, when the child is crying, he will come forward to hug the child. Knowing that his father has only one hand, this clever baby will subconsciously hold his father’s neck tightly. Watching the children grow up day by day, Tu Yanfang felt that her life was on the right track day by day.

　　Now, Tu Yanfang wants to go to Shenzhen by his own hands through serious struggle. He heard that disabled people can be reimbursed for medical treatment after they have social security, and there is a monthly subsidy of nearly 1,000 yuan. He hopes that his future life will be more secure.

Miyazaki Hayao disciple’s new work, Okko’s Inn, set the file 1.29.


1905 movie network news The latest work of Kitaro Kosaka, a disciple of animation master Miyazaki Hayao, was finalized in the Mainland. On January 29th, "Spring House" officially opened for business. The film tells the story of Guan Zhizi, a girl in the sixth grade of primary school, who was adopted by her grandmother because of her parents’ accidental death and gained the ability to see the "guardian spirit". And with the help of incredible friends, I assumed the responsibility of running the "Spring House" to cure the hot spring hotel and embarked on a spiritual journey of self-growth.


The "Spring House" is open for business, and both adults and children can be cured.


In Okko’s Inn’s story, because grandma is old, the "Spring House" hot spring hotel is facing the dilemma that no successor is about to close down. Xiao Zhi, who is only 12 years old, bravely took over the burden and became the new proprietress of the hotel. In the process of becoming a qualified proprietress, Xiaozhi is optimistic, goes all out to treat customers, heals every customer who comes to the "Spring House", and gradually grows up by herself in the wonderful encounter with different customers, gaining physical and mental experience, and gradually understands the meaning of "accepting everything and curing everything" taught by her grandmother.


Okko’s Inn exposed the hand-painted version of the poster, the picture is warm and full, full of texture, and the warm "Spring House" officially opened for business! The lovely young lady Guan Zhizi, grandma Fengzi and "Pink Float" classmate Akino Makoto all appeared on the stage, hiding a mystery in the exquisitely laid-out Japanese hot spring hotel, and there are still many incredible friends.


Although she lost her parents’ company when she was young, Xiaozhi, who became a small proprietress, strongly chose to open the door to welcome guests and received customers from all directions who needed healing. With the help of strange friends, she also found the meaning of meeting and separation. The spring water of "Flower Soup" hot spring will heal everyone, regardless of gender, age and age.


Gold medal production is the first sincere work of Miyazaki Hayao disciple Kitaro Kosaka in the Mainland.


Okko’s Inn is adapted from a popular children’s novel written by Japanese writer Ling Zhanghong. The original work has sold 3 million copies since it was released in 2003, and now the film version of this super popular work has been released in the mainland, causing great repercussions among fans who have been paying attention to it.


The gold medal production team of the Okko’s Inn film version is even more exciting. Director Kitaro Kosaka has participated in many well-known animation works such as Miyazaki Hayao, and Reiko Yoshida, who created the film, wrote the screenplay, and was dubbed by the popular voice actor Mizuki Nana, Matsuda Sasui, and Seiran Kobayashi, who was born as a child star.


Impressed Makoto Shinkai and won many international animation heavyweight awards.


After the film was released in Japan, it quickly occupied the first place in the Twitter film category discussion, and moved the animation master Makoto Shinkai, who praised: "Okko’s Inn is really wonderful! I was teased many times and made to cry several times. As an animation, there are not only many things to see technically, but also the story itself is quite moving. I really look forward to seeing the follow-up stories on the big screen! "


In addition to the recognition of word-of-mouth and audience’s enthusiasm for watching movies, the film has also been affirmed by major film awards. At present, it has been shortlisted for the best animated feature film in the 92nd Oscar, and has been nominated for the best independent animated feature film in the 47th Animated Anne Award, the best animated film in the 42nd Japan Film Academy Award, the best animated film in the 73rd Japan Daily Film Festival, the audience’s favorite award for innovation and Excellence in the 20th Korea Fuchuan International Animation Film Festival, the animated film award in the 28th Japan Film Critics Award, and so on. The blessing of many international awards has made the film earn enough expectations.


The famous singer’s concert broke out unexpectedly, and netizens angered

On the evening of April 22

Singer Joker Xue during the performance

Was shot in the face by an unknown person with a laser pointer

It caused a heated discussion among netizens for a while

Related topics are trending

On April 23, Nanchang International Sports Center said that the security department was responsible for a third-party company. The police of Honggutan Public Security Bureau said that they are currently verifying and will deal with the matter as soon as possible.

The video shows a beam of green dots constantly swimming around Xue Zhiqian’s face during the concert. Xue Zhiqian covered his eyes with his hands on the stage and said: "See this green dot? He keeps shaking my eyes, ah, blind, blind, catch him, good or bad!"

In response, Nanchang International Sports Center said that the security is the responsibility of a third-party company. The staff member said: "The security is not from our side, the security is a third-party company."

The police said: "We have relevant staff to understand this situation, it is under verification, and will deal with this matter. You can pay attention to the latest notice."

In order to prevent this kind of thing from happening again, the concert organizers will strengthen the inspection of the items carried by the audience to ensure that dangerous items such as laser pointers are not allowed to enter the venue. At the same time, they also call on the majority of fans to watch the performance in a civilized manner, respect the artists, and do not take actions that endanger others.

The netizens have commented one after another: disrupting order in public places and intentionally injuring, this kind of behavior is really hateful!

So, what kind of damage can a high-power laser pointer cause to the human body?

According to Yang Yong, a professor at the School of Electrical Engineering of Huazhong University of Science and Technology, the current GB7247 standard in our country divides the risk of laser to the human body into four levels, and the measurement standard is to observe the MPE of the laser on the eye in the beam of light (the maximum possible impact).

In the standard:

The output power of a first-class standard laser is less than 0.4 milliwatts, because this energy laser will not cause damage to the eyes and skin under any conditions, and will not cause harm to the human body even after focusing through the optical system. Therefore, such laser products are of a type that does not require special management.

The second-level standard laser has an output power between 0.4 milliwatts and 1 milliwatt. The reaction time for people to close their eyes is 0.25 seconds, and the exposure amount calculated during this time cannot exceed the MPE value. Usually, lasers below 1 milliwatt will cause people to experience dizziness, so such lasers cannot be used to directly irradiate the eyes, let alone observe this laser with far-sighting equipment.

Three standard laser, if the beam of light directly into the eye, will cause damage to the eye, its output power is between 1 and 500 milliwatts.

The four-stage standard laser is a high-output continuous laser with an output power greater than 500 milliwatts, which may pose a fire hazard.

Yin Yue, an attending ophthalmologist at China-Japan Friendship Hospital, told reporters that high-intensity laser light can cause some irreversible damage to the eyes. If it is irradiated on the surface of the eye, it may damage the cornea, conjunctiva, eyelids and other soft tissues, causing corneal edema of the eyelid. If it is irradiated into the eye and then focused on the retina, it may damage the photoreceptor cells and pigment epithelium of the retina, causing cell death, which cannot be restored after cell death. If it is irradiated to the macula, which is very sensitive to light, it will cause permanent damage to the macula.

China Daily comprehensive news morning report, time video, netizens’ comments, etc

Online celebrity anchor became a live broadcast platform to compete for the object, causing liquidated damages and other issues

　　The live broadcast platform and online celebrity anchor have been interdependent communities of interests since their appearance. With the increase of the number of live broadcast platforms and the escalation of competition, the conflict of interests between the two parties has intensified.

　　Online celebrity anchor is favored by live broadcast platforms because of its huge fan base and high-quality content, and it is also the main target of poaching between platforms. In recent years, some well-known anchors have jumped ship from time to time. In addition to fighting with their platforms, some anchors have even been brought to court.

　　Recently, a dispute caused by anchor job-hopping has aroused social concern.

　　Jia is the contracted anchor of a live broadcast platform. In April 2017, during the contract period with the original live broadcast platform, Jia went to another live broadcast platform for live broadcast activities. Therefore, the original live broadcast platform sued Jia to the court.

　　Recently, the Shanghai No.1 Intermediate People’s Court made a final judgment on this case, upheld the first-instance judgment of the Shanghai Pudong New Area People’s Court, and ordered Jia to stop violating the agreement with the original platform, continue to perform the obligation of inaction in the agreement with the original platform, and immediately stop providing live broadcast services or similar live broadcast activities for the new platform and any third party. Jia should compensate the original platform for liquidated damages within ten days from the date of the effective judgment.

　　In recent years, there have been many cases of similar lawsuits between anchors and platforms. The reporter combed similar cases and found that how to identify the relationship between the anchor and the platform, how to determine the amount of compensation, and how to find a balance between the anchor’s freedom of employment and the demands of the old club to continue to perform the contract have always been the focus of controversy.

　　How to identify the relationship between platform and anchor?

　　The reporter found out that the relationship between the anchor and the platform can be roughly divided into three types:

　　First, the anchor signed a sharing agreement with the live broadcast platform, that is, the anchor has the right to live broadcast, can perform live performances on the platform, and get certain gifts and rewards. At the same time, the anchor is not subject to the management constraints such as labor time and total labor stipulated by the live broadcast platform, nor does it engage in other labor tasks arranged by the live broadcast platform.

　　Second, the anchor becomes a contracted artist of the live broadcast platform, and is bound by a series of labor rules and regulations of the platform. While obtaining guaranteed economic income, it needs to undertake corresponding duties and tasks, including the assessment of multiple standards such as live broadcast duration, content quality, number of fans and live broadcast activity.

　　Third, the anchor signed a sharing cooperation agreement with the live broadcast brokerage company or guild, and the brokerage company or guild built the anchor in an all-round way. At the same time, the brokerage company cooperated with various live broadcast platforms to cultivate the incubating anchor.

　　Then, among these three relationships, which one constitutes a labor relationship?

　　In this regard, Zheng Ning, deputy director of the Department of Law, Department of Law, Communication University of China, analyzed that it is necessary to satisfy two conditions, namely, economic and personal dependence, to determine that the live broadcast platform and the anchor constitute a labor relationship. Economic relationship means that the anchor provides labor and the live broadcast platform gives remuneration; Personal attachment means that the anchor’s working time, content and methods are constrained by the rules and regulations of the live broadcast platform or specific management behaviors. In line with the above two conditions, there is a labor relationship between the anchor and the live broadcast platform.

　　"As far as the first and third cases are concerned, there is no personal attachment between the anchor and the live broadcast platform, and the anchor is independent. Therefore, these two situations do not constitute labor relations; As far as the second case is concerned, the anchor provides labor, the live broadcast platform pays remuneration, and at the same time, it is managed by the live broadcast platform and has personal dependence, so it constitutes a labor relationship. " Zheng Ning said.

　　In the view of Wang Yanhui, a Shanghai lawyer, three conditions need to be considered to determine whether there is a labor relationship between the live broadcast platform and the anchor: First, whether the employer and the employee meet the subject qualifications stipulated by laws and regulations; Second, whether the various labor rules and regulations formulated by the employer according to law are applicable to the workers, and whether the workers are subject to the labor management of the employer and engaged in paid labor arranged by the employer; Third, whether the labor provided by the laborer is an integral part of the employer’s business. According to the above conditions, it can be judged whether there is a labor relationship between the platform and the anchor.

　　"Therefore, in the above three situations, only the second one meets the conditions for forming labor relations." Wang Yanhui said.

　　However, Wang Quanxing, a professor at the Law School of Shanghai University of Finance and Economics, believes: "The live broadcast activity of the network anchor on the live broadcast platform is an activity in which the platform and the anchor jointly provide video products or services to the audience, and it is also the digital labor and remote labor provided by the anchor to the platform in the virtual place arranged by the platform, which constitute the production factors of the platform’s business activities of providing video products or services to consumers; The anchor shall abide by the management rules of the platform when engaging in anchor activities in the virtual places arranged by the platform. At the same time, the relationship between the platform and the anchor is continuous with the anchor activity as the object. Therefore, although the relationship between the platform and the anchor is different from the labor relationship in the traditional format, that is, it does not have all the elements of labor relations, but it has some elements of labor relations, such as subordination and continuity. "

　　Wang Quanxing said that as for the "cooperative relationship" agreed by the anchor and the platform, it is not a standardized legal concept, nor is it a famous contract concept. Any contractual relationship, including labor contracts, is cooperative. Therefore, the so-called "cooperative relationship" is not mutually exclusive with contracting relationship, entrustment relationship and labor relationship.

　　"In the terms of the contract, the anchor and the platform do not belong to the labor relationship or employment relationship ‘ Know ’ , and can not be used as the sole basis for determining whether it is a labor relationship. If the anchor has the facts that meet the requirements of labor relations in the process of cooperation, and this fact is also the agreement of both parties, such as the fact that the anchor undertakes the obligation of non-competition, it is the element that constitutes subordination. Therefore, whether labor relations are determined or not should be judged whether there are facts that meet the requirements of labor relations. " Wang Quanxing said that there are certain reasons for determining the nature of the so-called "cooperative relationship" between the platform and the anchor.

　　If it constitutes a labor relationship, workers can safeguard their rights and interests according to the labor law. Then, if it does not constitute a labor relationship, can the anchor effectively protect his rights and interests?

　　In this regard, Zheng Ning said that in some cases, although the anchor and the live broadcast platform do not constitute a labor relationship, there is a contractual relationship between the anchor and the live broadcast platform, and the anchor can safeguard his legitimate rights and interests according to the provisions of the contract law. There is a contractual relationship between the anchor and the live broadcast platform. The contract follows the principles of equality, voluntariness and good faith. Both parties can determine the contents of the contract through consultation. When one party thinks that there is fraud, coercion, obviously unfair or major misunderstanding, it can request the court or arbitration institution to cancel or change the contract. The parties to a contract may also stipulate liquidated damages in the contract. When one party violates the contract, the other party may request the defaulting party to pay liquidated damages and other ways to assume responsibility.

　　How to evaluate the liquidated damages for job-hopping

　　Anchor is the core resource of live broadcast platform, and the competition between platforms will also affect the value of anchor. In the fierce competition between live broadcast platforms, the value of the anchor is constantly being raised, and even there is a false high situation. At the same time, some online celebrity anchors think that their popularity depends on their own abilities, but the platform thinks that they have invested in packaging, publicity, planning and even broadband resources. Therefore, when some online celebrity anchors change jobs, they are often asked by the live broadcast platform to pay high liquidated damages. In recent years, the amount of liquidated damages has been increasing. However, how to evaluate the liquidated damages?

　　"On the legal level, the setting of liquidated damages has two main meanings: on the one hand, it is to protect the transaction, and it is a means of punishment for the defaulting party; On the other hand, it is also the most important function of liquidated damages, that is, to make up for losses, because one party’s breach of contract will often bring economic losses to the observant party, including actual losses and expected benefits. The determination of the amount of liquidated damages should be based on the actual loss of the observant party, and the observant party should prove its actual loss and expected benefit. If the breaching party thinks that the liquidated damages claimed by the other party are too high, then it has the right to ask the court to make adjustments, and the court will also make reasonable judgments according to the actual situation and the general situation in the industry. " Wang Yanhui said.

　　In this regard, Zheng Ning’s point of view is: "As far as the assessment of liquidated damages is concerned, there are two situations: first, there is a labor relationship between the anchor and the live broadcast platform. According to the provisions of the Labor Contract Law, the platform provides training fees for the anchor, and the service period is agreed, and the anchor can be claimed to pay the training fees that have not been fulfilled. If the anchor terminates the contract in breach of contract, or violates the confidentiality obligations or non-competition restrictions agreed in the labor contract, causing losses to the employer, it shall be liable for compensation. "

　　"Another situation is that there is a contractual relationship between the anchor and the network platform." Zheng Ning said that the contract law stipulates that the parties may agree that one party shall pay a certain amount of liquidated damages to the other party in case of breach of contract, and may also agree on the calculation method of the amount of damages arising from breach of contract. If the agreed liquidated damages are lower than the losses caused, the parties may request the people’s court or arbitration institution to increase them; If the agreed liquidated damages are excessively higher than the losses caused, the parties may request the people’s court or arbitration institution to reduce them appropriately. The Interpretation of the Supreme People’s Court on Several Issues Concerning the Application of People’s Republic of China (PRC) Contract Law (II) stipulates that the agreed amount of liquidated damages exceeds 30% of the loss, which can generally be regarded as "excessively higher than the loss caused". Therefore, in the contract, the anchor and the network platform can agree on the liquidated damages in advance, and when one party violates the agreement, the other party can claim to pay the liquidated damages.

　　In Wang Quanxing’s view, in labor relations and labor law, the application of liquidated damages is subject to legal restrictions, and compensation has legal rules. In civil contracts, we should pay more attention to the principle of fault, the principle of fairness and the proof of damage facts for liquidated damages and compensation.

　　Both sides should raise their legal awareness.

　　Some people think that anchor job-hopping is an act that lacks the spirit of contract; Others believe that this is normal business competition. As anchors who want to jump ship, they want to get a job on a new live broadcast platform; As an old club, the anchor is generally required to continue to perform the contract and compensate for the losses. So, how to balance the different demands between the anchor and the live broadcast platform?

　　In this regard, Wang Yanhui said that according to the provisions of the Contract Law, the observant party has the right to choose to terminate the contract and demand payment of liquidated damages, and also has the right to choose to ask the defaulting party to continue to perform the contract. However, the purpose of China’s civil law is not only to protect transactions, but also to protect the freedom of transactions as much as possible. If the anchor has reasonable reasons to prove that he can’t continue to perform the contract with his old club, then the law generally won’t "buy and sell" and ask him to continue to broadcast live on the original platform.

　　In Zheng Ning’s view, in the case of labor relations, the labor law stipulates that workers have the freedom to work, and they can terminate the labor contract by notifying the employer in writing 30 days in advance. The employee may terminate the labor contract by notifying the employer three days in advance during the probation period. Therefore, the anchor has the right to terminate the labor contract in accordance with the provisions of the labor law. The employer can only demand compensation for the corresponding losses through terms such as non-competition, confidentiality obligations and training.

　　"In the case of a contractual relationship, both parties shall exercise corresponding rights and perform corresponding obligations in accordance with the contents of the contract agreed in advance. The live broadcast platform may require the anchor to pay liquidated damages and compensate for the losses for the anchor’s breach of contract. However, the subject matter of the contract has personal attributes and is not suitable for enforcement. Therefore, after the anchor pays the liquidated damages, the anchor can broadcast on the new platform. " Zheng Ning said.

　　In Wang Quanxing’s view, there is a legal basis for non-competition in labor relations. Because the restriction of non-competition is a restriction on the freedom of workers to choose a job, it is conditional for workers to undertake the restriction of non-competition, and it is based on the compensation given to workers by employers. As for whether the non-competition clause can be stipulated in the civil contract, there is no legal basis in China. There must be a legal basis for agreeing on non-competition. Even if it is allowed to agree on non-competition, the obligation to undertake non-competition should be conditional and have economic compensation as consideration. Otherwise, obviously unfair.

　　"In reality, many live broadcast platforms are unwilling to form a labor relationship with the anchor on the one hand, and require non-competition restrictions on the anchor on the other hand, and their goals are conflicting. In fact, choosing the arrangement of labor relations may not be unfavorable to the live broadcast platform. " Wang Quanxing said.

　　Then, once the anchor changes jobs, how should the anchor and the platform protect their rights and interests?

　　"Improve legal awareness. When signing a contract, clarify the legal relationship between the two parties, that is, clarify whether it is a labor relationship or a contractual relationship, and then stipulate the rights, obligations and legal responsibilities of both parties in detail. The contract should clearly stipulate the remuneration standard, payment method, payment period, etc., and determine a reasonable amount of liquidated damages. If conditions permit, it is best to hire legal counsel or consult legal experts. " Zheng Ning said.

　　"According to my understanding of this industry, many anchors are still young, their social experience is not rich, and their legal awareness is not strong. If you want to guarantee your own interests, the anchor must first sign a formal contract with the platform, and no matter what form of cooperation, it should be implemented in writing. " Wang Yanhui suggested that the rights and obligations of both parties should be clearly stipulated in the contract, and the anchor should be familiar with his obligations and the legal ways to safeguard his interests when his rights are violated. In addition, both the anchor and the live broadcast platform should keep their contracts and communication evidence in case of emergency. Live broadcast belongs to a new industry, which lacks corresponding laws and regulations to regulate. Only by improving the legal awareness can employees in this industry have better development.

　　□ Our reporter Han Dandong

The Ministry of Public Security has cracked a number of illegal and criminal cases of obscenity and pornography on mobile phones.

Special topic: encirclement and suppression of mobile phone network pornography

　　People’s Daily Online, Beijing, December 24 th On December 8 th, since nine ministries and commissions, including the Foreign Affairs Office of the Central Committee, the Ministry of Public Security and the Ministry of Industry and Information Technology, deployed a special campaign to further rectify obscene pornography and vulgar information on the Internet and mobile phone media, the Ministry of Public Security has made a heavy blow to the illegal and criminal activities of obscene pornography on mobile phones. In just half a month, the national cyber security department has closed 2,361 WAP websites of obscene and pornographic mobile phones, cracked 28 criminal cases of obscene and pornographic mobile phone websites, and arrested 34 suspects. The crackdown and rectification work was successful in the first battle.


　　Beijing cracked the case of "3gsem.cn" mobile phone wap website spreading obscenity and pornography. Recently, the work of Beijing Public Security Bureau found that a mobile WAP website named "Abusive Naked Campus" provides a large number of obscene and pornographic information links, through which you can browse obscene and pornographic videos, pictures, novels, etc. on other obscene and pornographic websites. The website server is hosted in IDC computer room of Yizhuang, Beijing Unicom. The public security organs in Beijing immediately set up a task force to carry out investigations and arrested the suspect Zhao. After the trial, Zhao confessed that he applied for virtual space and domain name through Beijing Tuofeng Weiye Company around October 2008, purchased wap mobile phone program code from the Internet, and successively searched more than 50 pornographic websites from the Internet, which increased the number of clicks with each other, and applied for advertising alliance of "Beijing Posture Wireless Company" and "Beijing Business Opportunity Unlimited Company". These two companies put advertisements on 3gsem.cn website, and the company will pay Zhao 0 according to the number of clicks of advertisements.


　　Jiujiang, Jiangxi Province cracked the case of "51xo.org" mobile phone WAP website spreading obscene articles. Recently, the public security organs in Jiujiang City, Jiangxi Province successfully cracked the case of "51xo.org" mobile phone WAP website spreading obscene articles, arrested a suspect, seized a computer involved and seized illegal income of more than 60,000 yuan. On November 16, 2009, the network supervision detachment of Jiujiang Public Security Bureau in Jiangxi Province found that a wap website of mobile phone was suspected of spreading obscene articles, and the server of the website was located in IDC room of Jiujiang Telecom. After investigation, it was found that the criminal suspect was forced by the strong public opinion pressure to crack down on the spread of obscenity and pornography on mobile phone wap websites recently, and set up jumping links to nearly 20 overseas obscene mobile phone wap websites, such as "Wolf Friends Home", "The Complete Collection of Sexy and Cool Stations", "Mao Mao Hand Mao Mao Foot" and "Jibazi Best Prostitute Station", in order to escape the crackdown by the public security organs. There are a lot of obscene pictures and novels in these obscene mobile phone wap websites. On December 7, the police handling the case of Jiujiang Public Security Bureau in Jiangxi, with the strong cooperation of Maoming Public Security Bureau in Guangdong, arrested the suspect Zhang in Maoming City. After the trial, the suspect Zhang confessed to the fact that he started to spread obscene and pornographic information on his mobile WAP website in April 2008, and put advertisements on his mobile WAP website for illegal profit by joining the network advertising alliance.


　　Shenzhen, Guangdong, cracked a case of using mobile media to spread obscene pornographic videos for profit. On December 2, 2009, the network police detachment of shenzhen public City, Guangdong Province found that a mobile WAP website was suspected of engaging in online viewing service of obscene pornographic videos. After the investigation, it was found that the suspect also maintained six other obscene and pornographic websites. The network police detachment of Shenzhen Municipal Bureau immediately assigned a special person to collect evidence and inspect the website, fixed the criminal evidence, and arrested three suspects, Liu’s brother and sister. After investigation, the three suspects set up seven pornographic websites, uploaded a large number of pornographic videos, and some websites had more than 1,000 pornographic movies. It takes advantage of the characteristics of high click-through rate and large traffic of pornographic websites, promotes advertisements by inserting online advertisements into obscene pornographic videos and movies, and makes profits by charging commissions according to clicks. Since the website was launched in October 2009, three suspects have made a profit of nearly 6,000 yuan.

Editor: Wang Jiaolong

The first large-scale public art project in Changsha, METALOOP ＂Mixing＂, was grandly opened.

　　　　　　 Changsha IFS joins hands with Xingcheng to perceive the infinite cycle of art.

　　On May 15th, 2022, the opening ceremony of METALOOP, Changsha’s first large-scale public art project, was successfully launched in Changsha IFS, further highlighting the city card of Changsha as the world’s new media art capital, and refreshing the public’s common understanding of media art once again.

　　At the opening ceremony, Guo Runkui, deputy director of the Propaganda Department of Changsha Municipal Committee, secretary and director of the Party Committee of Changsha Municipal Bureau of Culture, Tourism, Radio, Film and Television, and representatives of eight joint units were invited to the scene to witness the launch of Changsha’s first large-scale public art project. On the day of the ceremony, the Art and Technology Summit Forum of "Society, Technology and Art in the Meta-Universe Era" was launched simultaneously. Dong Bingfeng, the artistic director and curator of METALOOP "Mixing" project, and six artists and scholars from the art, academic, science and technology industries all over the country conducted cross-border talks between contemporary art and public space.

　　Dialogue with Urban Symbiosis | Changsha IFS explores new fields of art and technology

　　On May 15th, METALOOP, Changsha’s first large-scale public art project, was successfully launched in Changsha IFS, under the guidance of Changsha Municipal Bureau of Culture, Tourism, Radio and Television, sponsored by Changsha IFS and planned by KUStudio, and jointly sponsored by four local museums and cultural organizations and four well-known enterprises and technology companies. Guo Runkui, deputy director of the Propaganda Department of Changsha Municipal Committee, secretary of the Party Committee and director of Changsha Municipal Bureau of Culture, Tourism, Radio, Film and Television, was invited to attend and delivered a speech, saying: "This 2022 Changsha Public Art Plan, through the most active and cutting-edge forms of art at present, discussed issues such as technological change and artistic practice in the era of the meta-universe, and promoted the city to implement the strategy of accelerating digital development and building a digital China, and the sustainable and all-round development of scientific and technological innovation. Show the world an international new aesthetic city image of culture, art and technology. Dong Bingfeng, artistic director and curator of METALOOP "Mixing" project, also sent congratulations on the online form and wished the ceremony a complete success. At the same time, Idy Tsang, Director of Promotion and Marketing Department of Changsha IFS, ying wang, Director of Service and Outreach of Changsha IFS Sub-tenant, and METALOOP "mixed".Project planner Peng Xinxin, co-founder and general manager of Xidi Zhijia Ma Wei, National Hybrid Rice Engineering Technology Research Center and Deputy Director of Hunan Hybrid Rice Research Center Office Rowling, Director of Changsha Museum Information Center Pu Yinghui, Deputy Director of Changsha Intangible Cultural Heritage Protection Center Zhu Peng, Deputy Director of Public Service Department of Longping Rice Museum Zhang Jingyi, Executive Director of Xie Zilong Image Art Museum Lu Ni, Zhang Xianming, vice president of Yuanda Technology Group and general manager of Yuanda Core Digital Technology Co., Ltd., Huang Liting, founder of P8 Planet, and Tang AirAsia, administrative assistant manager of Niygelo Hotel in Changsha, came to the scene to present their prospects and expectations for this art project.

　　Dialogue Art Integration | Changsha IFS opens a new mode of commercial public space

　　Changsha public art project METALOOP "mixing" is a dialogue between art and the city, but also between art and the public. In this art project, Changsha IFS invited 2 groups of well-known curators and 11 groups of domestic and international artists and groups to exhibit 3 groups of art projects, bringing art into commercial space and creating a multi-dimensional shopping experience for consumers. After the opening ceremony, the professional guided tour of the specially invited commentator on the spot further narrowed the distance between the public and art, and deeply felt the story and charm behind the works of art.

　　West atrium of Changsha IFS LG2: Hu Jieming-the world’s first exhibition of large-scale public image installation "Image Palace"

　　Hu Jieming is one of the pioneer artists of digital media and video devices in China. His artistic creation stops at the alternation of time, space-time, history and memory, which puts the public in an uncertain time and space in the past, thus arousing personal memory. Inspired by 5,000 images of Changsha’s real scenes, cityscape and daily life, the artist Hu Jieming created a large-scale public image installation "Image Palace", which is the world’s exclusive combination of virtual and reality. This is the largest image installation creation by Hu Jieming in the past five years. The new media sound and painting installation in the center of the palace was created by Edward Xu, which dynamically showed the temporal and spatial characteristics of Changsha’s ancient and modern changes, which is undoubtedly the best integration of local humanistic characteristics and modern high technology. During the tour, the public gradually discovered the familiar image of Changsha city, which triggered a heated discussion about the city memory.

　　Outside the imaging device, an artificial intelligence driving experience game — The "Meta-Mine" intelligent cockpit has attracted great attention from the public and participated in the experience. Through the precise digital creation of "Image Palace", the game imitates the actual scene of Sidi’s intelligent driving in the mine to the greatest extent and cooperates with the automatic driving algorithm based on artificial intelligence technology. In these two cockpits, the public can travel through the image time and space through "driving games", control the self-driving mine card model to shuttle and mine in the virtual digital art installation, observe the Image Palace from different angles, and experience the local culture of the city.

　　Changsha IFS Full Electronic Screen: SHIMMER- LED Big Screen International New Media Art Exhibition "Endless Dreams"

　　Exhibition time: during the exhibition period
　　10: 00/12: 00/14: 00/16: 00/18: 00/20: 00 for 20 minutes.

　　The public video art exhibition "Endless Dreams" will be displayed in Changsha IFS Southwest Square, Northwest Square, Huangxing Road, L5 West Atrium and L7 Sculpture Garden by using the most forward-looking public LED electronic screen exhibition method. Disnovation.org (France), Joey Holder (UK), Saemundur Thor Helgason (Iceland), Kim Laughton (UK), nabbteeri (Finland), Lu Minglong (UK), Shi Ruini, Wang Jingxin and Xinyi Wang are nine groups of well-known domestic and international artists and groups. Presented in three story chapters: the dream of farmers, the dream of artists and the dream of drivers, the relationship among human beings, machines and sociality is re-conceived in a poetic way, which responds to the transformation towards the post-human era. At the tour site, the public took the lead in viewing three groups of works of art by Changsha IFS L5, and stopped to watch this new exhibition mode and expressed strong interest.

　　Changsha IFS L7 Art Gallery: Lu Yang-Pioneer Artists’ New Works in Global Exhibition DOKU:HELLO WORLD

　　　　　 Lu Yang, one of the artists participating in the theme exhibition of the 59th Venice Biennale in 2022, is also the winner of the 2022 "Artist of the Year" published by Deutsche Bank, and this time introduces his latest multimedia works.DOKU:HELLO WORLDDebut at Changsha IFS. Born for love and peace, DOKU is an inspiration creator who integrates multi-culture and spans art categories. Through guided tours, the public can see the integration of dynamic capture and 3D scanning technology, dance and music art in DOKU, and feel the infinite possibilities of artistic creation in the digital age together.

　　Dialogue with "Metauniverse" Urban Forum | Changsha IFS opens a new prospect of digital art

On the afternoon of May 15th, the Art and Technology Summit Forum on "Society, Technology and Art in the Metauniverse Era" was held across the border. The forum was divided into two parts: round-table dialogue and cross-border dialogue, and was hosted by Dong Bingfeng, artistic director and curator of the METALOOP "Mixing" project of Changsha Public Art Plan. Keynote speech invited to Beijing? Hu Yong, Professor of School of Journalism and Communication, Nanjing? Lan Jiang, a professor of philosophy, and Huang Sunquan, a professor of China Academy of Fine Arts, gave a professional interpretation of "Society, Technology and Art in the Meta-Universe Era". The round-table dialogue invited Lu Ni, executive director of Xie Zilong Image Art Museum, Ma Wei, co-founder and general manager of Xidi Zhijia, and Hu Jieming, an exhibiting artist, to have a tripartite cross-border dialogue.

　　　　　 Keynote speech: "This may be the first time in this century, and we may invent a brand-new aesthetics. That is to restart the imagination and invent new aesthetics. But to realize this expectation, someone must take the reins from the technical experts. "

　　　　　 Keynote speech: "Things in the metauniverse are not passive, but can participate in the existence of the subject of the metauniverse to a certain extent. In this sense, the imitation law between people will inevitably expand to the imitation law between things."

　　　　　　 Keynote speech: "The metauniverse may not be very advanced in technology in the past decade, but it provides infinite imagination and possibilities. We should find ways to regenerate ourselves from our own life experiences and those gaps."

　　　　　　 Roundtable dialogue: "Art is personal and shared. Each of us is a small universe, and art fills the aesthetics of the public everywhere. "

　　　　　 Roundtable dialogue: "Yuankuang is a sub-brand of Xidi Zhijia in the field of mine automatic driving. The goal is to build a mine operation mode with equipment intelligence and online remote cooperation similar to Metauniverse based on technologies such as automatic driving, artificial intelligence, Metauniverse and 5G."

　　　　　　　　 Roundtable dialogue: "Space is the place where we live. The spatial dimensions we face are multiple, and we can change space, expand space and create space. "

　　　　　　 At the Art and Technology Summit Forum of "Society, Technology and Art in the Meta-Universe Era", seven guests tried to explore the more possibilities of "we" for technological innovation, artistic innovation and space sharing from the concept of "Meta-Universe" in many fields such as society, science, art and public space.

　　Dialogue with Underground Kilometers | Limiting the Courtesy of High-end Minerals and Perceiving the Beauty of "Treasures"

　　Changsha IFS and Xidi Zhijia started cross-border cooperation to mine rich ores with the highest metal content in China, and customized exclusive ore certificates and digital certificates. Each ore has a unique corresponding number in the world, creating a limited number of high-end ore courtesy.

　　Breaking, Awakening and Rebuilding | Building a Public Art Platform with Changsha as the Subject

　　On November 1, 2017, UNESCO released the list of global "Creative City Networks" in Paris, and Changsha was selected as the "Media Art Capital" in the world, becoming the first China city to receive this honor. Changsha has thus entered an important stage of brand-new cultural industry innovation and development. In the future, Changsha will implement the 14th Five-Year Plan and the strategy of "Three Highs and Four Innovations", implement the plan of "accelerating digital development and building a digital China" and the strategy of scientific and technological innovation, sustainable and all-round development, deepen the image of "World Media and Art Capital", and show the world an international new aesthetic city with taste, style, connotation, temperament and value, and an international artistic and cultural innovation city.

　　　　　 If the most important presentation space of traditional art is the museum, then today, with the rapid development of globalization, more and more urban public spaces and cultural and commercial complexes are actively promoting and constructing "art — The benign interaction of public relations and an open network of future thought experiments. Undoubtedly, Changsha IFS initiated the "2022 Changsha Public Art Plan METALOOP‘ Mix ’ " For Changsha and its surrounding areas, an important case of promoting the development and renewal of urban culture with artistic creativity is being established.

　　More activity information

　　About 2022 Changsha Public Art Plan METALOOP "Mixing"

　　-Changsha IFS

　　Exhibition: Image Palace

　　DOKU:HELLO WORLD

　　Unremitting dreams

　　Time: from now until June 30th, 2022.

　　Opening hours: 10: 00 & ndash; ten o’clock pm

　　Address: No.188 Jiefang West Road, Furong District, Changsha, Hunan.

　　-Niygro Hotel Changsha

　　Exhibition: "Modern Lighthouse" Shenglong City Image Exhibition

　　Time: from now until June 20th, 2022.

　　Opening hours: open all day.

　　Exhibition: Cloud Painting Appreciation? Dream in a Dream "Fang Shibiao Sky Suite Art Space"

　　Time: from April 22nd, 2022.

　　Opening hours: 10: 00 & ndash; six o’clock pm

　　Address: Changsha IFS T1, No.188 Jiefang West Road, Furong District, Changsha, Hunan Province

　　- Yuanda Xinjian digital technology

　　Exhibition: 70 Island /70 DAO

　　Time: permanent exhibition throughout the year (the exhibition content is updated regularly)

　　Opening hours: 08: 00 every Monday to Friday & ndash; six o’clock pm

　　Address: Yuanda City, No.3 Yuanda Road, Changsha County, Changsha, Hunan Province

　　- changsha museum

　　Exhibition: "Xiang Jiang Bei Qu — Changsha Ancient History and Culture Exhibition "

　　Time: permanent exhibition throughout the year

　　Opening hours: 09: 00 every Tuesday to Sunday & ndash; five o’clock pm

　　Address: Southwest of the intersection of Xiangjiang North Road and Qifeng Road, Kaifu District, Changsha, Hunan (Changsha Binjiang Cultural Park)

　　- Changsha intangible cultural heritage museum

　　Exhibition: Xiang SHOW— Xiangxiu Life Aesthetics Exhibition "

　　Time: from now until June 20th, 2022.

　　Opening hours: every Tuesday to Sunday at 09: 30 & ndash; five o’clock pm

　　Address: Juzizhou Scenic Management Zone, Yuelu District, Changsha City, Hunan Province (formerly Juzhou Inn)

　　-Sidi Zhijia

　　Exhibition: "Hideki Driving Exhibition"

　　Time: permanent exhibition throughout the year

　　Opening hours: every Monday to Friday from 10: 00 to 18: 00.

　　Address: A3-A4, Hunan Inspection and Testing Characteristic Industrial Park, No.336 Xueshi Road, Yuelu District, Changsha, Hunan.

　　- Longping rice museum

　　Exhibition: Permanent Exhibition of Rice Culture 2022

　　Time: permanent exhibition throughout the year

　　Opening hours: 09: 00 & ndash; five o’clock pm

　　Address: Renmin East Road, Furong District, Changsha, Hunan

　　- P8 planet

　　Exhibition: Soft Space-A Unit Exhibition of the Curator Plan Phase I

　　Time: June 4-July 31, 2022

　　Opening hours: every Thursday to Sunday at 10: 00 & ndash; six o’clock pm

　　Address: P8 Planet, Yuanda City, No.1 Yuanda Third Road, Changsha County, Changsha City, Hunan Province

　　　　About Changsha IFS interactive experience

　　　　-The Founding Fathers of the Arts Light up the Medal for Redemption.

　　Time: April 30-June 30, 2022

　　Combine the function of Changsha IFS small program medal, start the Art Founders program, and there are many surprises and gifts waiting for you to discover.

　　Top wave player medal — Scan the code in the LG2 "Meta-Mine" intelligent cockpit and participate in the "driving game" to light it up;

　　Frontier Art Coffee Medal — Scan the QR code of the Live Art Founders Project in L7 Art Gallery to light it up.

　　Art Pioneer Medal — Use indoor mixed real-life navigation iGO to find treasure in the interactive screen of LG2 "Image Palace", L7 Art Gallery and L7 Sculpture Garden.

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